One of the promises of online banking is that you can get an app to do your budgeting for you. It’s something that feels necessary in a post-Great Recession world: Real household incomes have been falling over the last decade and a half, and people have to keep track of their money because they have less to spend than they once did.

The idea is that by tracking your spending, you can avoid the kind of profligacy that leads to budget downfall. Unfortunately for most Americans, budgeting isn’t really the problem.

Keeping track of every happy hour drink may help on the margins, but for most people, financial problems are caused by things like losing a job or getting sick. The real problem is not that you aren’t budgeting — it’s that the costs of housing, college and health care have skyrocketed in the last 50 years. No app can keep you from overspending on rent, needing to pay back student loans or medical debt, or suffering through bouts of unemployment.

That hasn’t stopped banks from trying.

Ally Bank’s new app, Splurge Alert, is sort of like a reverse-Yelp. It uses geolocation to alert people when they’re approaching stores and restaurants where they tend to spend money unnecessarily. Warning! You’re entering a high-spending zone! In the promotional video, Drew Scott, the co-star of popular HGTV show “Property Brothers,” admits to a bad habit of buying antique swords. (“I’m not a violent person,” he says. “I just like deadly medieval weapons.”)

It’s an interesting take on budgeting gamification. But who, exactly, is this helping?

“I can imagine a very limited set of situations where this kind of thing might be helpful,” said Abigail Sussman, a marketing professor at the University of Chicago who studies how people make purchasing decisions. She said this approach might be useful if a person already knows they have a problem with a particular type of spending, and they’re making a conscious effort to steer clear of it. But when it comes to specific harmful spending habits, this kind of self-awareness is actually pretty rare.

There are more broadly helpful versions of mobile banking. Citi, for example, lets its customers see basic details about how much money is in their checking account on the app homepage, without signing in. Simple, an online bank that prides itself on customer service, has a proprietary tool called “safe-to-spend,” which shows you how much discretionary cash there is in your account, automatically subtracting the money you spend regularly on things like rent and utilities.

But again, that kind of thing only helps with a small percentage of irregular purchases. There’s a story in The Atlantic this month about a man — a film critic — who barely has two pennies to rub together, despite all the outward signals of being well off. He owns a house, has published many books and is well-known as a writer. He has a child who went to Harvard Medical School. But, he explains, he and his wife have no retirement funds and no savings as a result of a little bit of bad luck, and some very poor choices on his part.

Would any of these apps help this man? Probably not. His problem is his lifestyle, not his day-to-day spending. He was paying two mortgages for several years because he and his family moved during a market downturn — in Brooklyn and East Hampton, no less, two of the most expensive housing markets in the country. His wife quit her job when their children were young, then had trouble finding her way back into the workforce. They sent their children to private school. Almost no amount of restaurant-splurging stacks up against years of five-figure private school tuition.

As part of the app’s launch, Ally commissioned a third-party online survey by Harris Poll on people’s splurging habits. While 85 percent of people said that they occasionally splurge on things, only 7 percent said they do it once a month or more. The most common splurges by far fell into the “food and drink” or “clothes and shoes” categories, both of which usually end up being relatively small amounts of money compared to, say, rent.

Meanwhile, a recent report by the Federal Reserve showed that 47 percent of Americans say they don’t have $400 to spare in an emergency, suggesting that splurging isn’t the big problem for most people’s budgets.

In a 2012 paper on what motivates consumer spending, sociologist Jeff Lundy found that splurging on things like clothes and restaurants is usually a sign that a person is accumulating wealth, rather than the opposite. “The best predictors of both wealth losses and reduced wealth accumulation were adverse circumstances which tend to overwhelm a household’s budget,” the paper says.

And no app can bring back the erosion of Americans’ incomes since 1999. But that app certainly would be cool.

Would you like to improve your relationship with money? Sign up to join our 30-Day, More Money, Less Stress Challenge to demystify one of the most important and empowering areas of your life. We’ll deliver tips, challenges and advice to your inbox every day during April. Sign up here

Read more: http://www.huffingtonpost.com/2016/04/29/banking-app-budget_n_9811118.html

Gender-neutral clothing certainly isn’t new, but it’s definitely having a moment in the fashion world.

From steetwear to high fashion, brands from all over are blurring gender lines. Earlier this year, Jaden Smith made headlines when he posed in a skirt for Louis Vuitton’s new line, Zara introduced its “Ungendered” clothing line (to mixed reviews), and last year U.K. department store Selfridges began a “genderless shopping experience” that featured a shopping space without gendered marketing, called “Agender.” 

Following the strides toward gender inclusivity in fashion, four people decided to eschew gender norms, embrace the fluidity of individual identities and try gender-neutral clothing on for size. 

Check it all out in the HuffPost Originals video above. 

Read more: http://www.huffingtonpost.com/2016/04/27/gender-neutral-clothing_n_9797516.html

There are many phases of the creative process. One is overlooked more than any of the others. Inspiration, research, production, editing (refining), release, promotion. Most of these get their due.

Im talking about the phase that comes between the inspiration and the core act of creation (and sometimes appears again briefly between the time the work is finished and the time it is released). Its the most nerve-wracking and difficult part of the entire process.

Its the moment after youve had the idea, after youve put the first round of thinking into the project and then have to step back and say: Ok, what do I really have here? Do I actually have something? What is this really going to be?

The name for this period originates with, John Boyd, a brilliant strategic mind responsible for the F-15 and F-16 fighters as well as key concepts like the OODA loop (used everywhere from the military to business). He called this reflective, pre-production phase his draw-down period.

In Robert Corams amazing biography of Boyd, he explains how Boyd entered a draw-down after an exciting 1am breakthrough, eventually leading to his important paper on E-M Theory. Boyd knew he had a good a idea, but he questioned whether someone had already explored a similar line of inquiry. He didnt want to waste his time. He worried the idea might be too simple. He needed to run the idea past more people first. He needed to look at the existing material. He needed to walk through its potential implications. This was a period of doubt and Socratic-questioning.

Only after spending several weeks in this phase, reflecting and thinking, becoming confident that his his ideas had merit and had never been done before, did he allow himself to proceed. Then, Coram writes, Boyd became excited all over again. The enormity of what he was in the process of discovering would change aviation forever. He knew it. (emphasis mine)

Ive found draw-down periods to be essential in my own career as a writer. I spent a little over a year thinking about the ideas in my newest book before I wrote anything down. Originally, Id wanted to write something about humility. That was the proposal I had sold. As I researched, I made incremental progress both closer to and further away from that idea. Id find a source here or there. A quote I might like to use. I accumulated my thousands of notecards but whether it would be a book remained to be seen.

I knew that I would need to start writing on January 1st, 2015. Around November, I entered my draw-down period. No more research. Just thinking. Just preparing. I wrapped up the business that I needed to get off my plate. Excited as I was, something wasnt working. I couldnt conceive of what the structure would look like. I just wasnt sure that I was ready.

Then one night at the end of December, I had a dream. It was set in the movie Interstellar. Everything felt exactly like the previews of that movie. An earth thats begun to fall apart. A crisis is brewing. I was selected as an astronaut. I said goodbye to my children (which I dont have). I walked to my spaceship. I put on my helmet. But the spaceship wasnt being launched out of the atmosphere, it was different. In the way that things can only make sense inside a dream, somehow this rocket was being launched into the earth.

I have the journal entry that I wrote the next morning after that dream. Its dated December 19th. Now that the book is finished and printed and ready for release, I know now that that was the date my draw-down period ended. That was the moment I became ready to write the book. I was ready to probe the unknown depthswhich, given that the book was about egoI understand the spaceship was a symbol of.

The draw-down period is not necessarily a fun one. Inspiration is exciting. Doing, makingthats what we think matters. The idea of stopping in between? Of evaluating and analyzing before leaping into it? Thats so difficult.

Because of course the idea is good. Of course theres something here. Of course the audiences will love what we create. Of course our breakthrough is legitimate.

Except that isnt always true.

Ive written before that passion is dangerous. This is one of the areas that its particularly devastating. Creative people naturally produce false-positives. Ideas that they think are good but arent. Ideas that other people have already had. Mediocre ideas that contain buried within them the seeds of much better ideas.

Part of the draw-down period is about sifting through that. In the way that a good steak must be aged, or the way that we let meat marinate in spices and sauce, an idea must be given a bit of space. Rushing into things eliminates that space. It quashes the questioning, the consideration, the second-guessing that produces an idea that is strong and resilient and valuable.

The other reason for the draw-down period is simply to prepare for the mammoth nature of the task in front of you. A book takes months of writing, possibly years. Movies take longer. Scientific discoveries might take decades to properly articulate. This is not a process one ought to dive into unknowingly. Just as we take a big breath before we go underwater, we need to grab some air before we bury ourselves with a creative pursuit.

Is this something we are sure we want to do? Are we prepared to give up and sacrifice what the project will call for? Are we ready to work for days on end with no visible sign of progress?

Those are just the existential questions. The practical ones: What loose ends do I need to tie up? What distractions can I eliminate? Do I have enough money? Am I in shape for this?

As we resolve these issues, ordinary passion is replaced with hardened purpose. We start to feel as Boyd did. We start to get excited again. But real excitement this timenot newness and navet. It is here that the draw-down period has come to an end, never to return.

Except it does. Although Boyd never spoke of this, I think there is a second draw-down period. It comes after the work is more or less done but before it is public. When the book is offered to the printers but before the release date. When the movie is in the can but before promo has started. When the paper is accepted to the journal but wont be published for several months. The work is out of our hands…but hasnt quite reached the masses yet.

Now we have another round of questions: What have we done? Did all that really happen? Am I sure I want to go through with it? What if it doesnt work?

This is the most private and lonely of all the creative phases. The die has been cast but we have no idea what it will land on. Its not excitement we feel but dread.

And so, with this nervous energy and doubt, our mind begins to race and we think of our next project. To start the cycle over again.

Read more: http://thoughtcatalog.com/ryan-holiday/2016/04/the-most-important-part-of-the-creative-process-that-everyone-misses-a-draw-down-period/